Quick Answer
Similes for running compare running to familiar actions, animals, or objects using “like” or “as.” Examples include “running like the wind” and “as fast as a cheetah.”
Using similes for running can make your writing more vivid, energetic, and engaging. Instead of simply saying that someone runs quickly, you can compare their movement to a racing horse, a speeding train, or the wind. These comparisons help readers imagine the runner’s speed, energy, and determination.
Whether you are writing a school essay, a short story, a poem, or a sports description, running similes can bring your sentences to life. They can describe someone sprinting toward a finish line, jogging through a park, or escaping from danger. By choosing the right comparison, you can make your writing more expressive and help readers feel the action.
Similes That Make Speed Feel Electric
1. Like a struck match in a dark room
Meaning and why it works: This simile captures the sudden, explosive ignition of a sprint start. The runner does not accelerate gradually. They flare into motion, sudden and bright, turning a quiet scene into heat and light. The contrast between the dark room and the burst of flame mirrors the runner’s own transition from stillness to full effort.
Best for: Fiction openings and poetry, where a scene needs to shift from calm to chaos in one image. The tone is sudden, bright, and slightly dangerous.
Swap-in: Like a firework cracking the midnight sky.
See it in action:
Formal: The gunshot dissolved into the morning air, and she was gone, like a struck match in a dark room, every muscle a brief and brilliant flare against the grey.
Creative: Off he went. No warm-up, no warning. Just a hiss of contact and then a streak of heat down the straightaway, like a struck match in a dark room.
Writer’s Note: This simile works best when the moment of acceleration is the point of the sentence. If the runner has already been moving, the suddenness gets lost.
2. As fast as a rumour through a small town
Meaning and why it works: A speed simile that leans on human behavior rather than animals. Rumours travel with terrifying, almost joyful swiftness through tight communities. Comparing a runner to that kind of social velocity adds wit and texture. It suggests the runner is not just fast but inescapable, already ahead of you before you processed their departure.
Best for: Casual essays, blog posts, and dialogue with a wry or humorous tone.
Swap-in: As fast as gossip at a family reunion.
See it in action:
Casual: You turn around for one second and she’s already at the corner. Honestly, as fast as a rumour through a small town, that one.
Formal: Word of the escape moved through the district as fast as a rumour through a small town, but the fugitive was faster still, already beyond the river by dusk.
3. Like a river deciding to change course
Meaning and why it works: This is a running simile for the moment when a steady jog becomes something larger and more committed. Rivers do not sprint. They surge. When a river changes course, it is deliberate, powerful, and impossible to reverse. The image gives running a sense of geological patience and unstoppable momentum.
Best for: Poetry, motivational speeches, and reflective personal essays.
Swap-in: Like a tide that has finally remembered the moon.
See it in action:
Creative: She did not speed up so much as shift. Like a river deciding to change course, her pace found a new channel and simply refused to leave it.
Formal: The final kilometre unfolded with quiet inevitability, the runner advancing like a river deciding to change course, unhurried yet utterly beyond recall.
4. As quick as a shadow slipping under a door
Meaning and why it works: A sensory-rich simile that emphasizes silence and elusiveness. This runner does not thunder. They glide. The image of a shadow slipping under a door is intimate, slightly eerie, and perfectly suited to describing a runner who disappears before you can properly register them. The word “slipping” adds a tactile sense of smooth, frictionless movement.
Best for: Mystery fiction, poetry, and atmospheric descriptions in creative nonfiction.
Swap-in: As quick as a whisper dissolving in a crowd.
See it in action:
Creative: By the time I looked up, the lane was empty. As quick as a shadow slipping under a door, he was simply elsewhere.
Formal: The scout moved through the checkpoint as quick as a shadow slipping under a door, leaving no trace beyond a faint disturbance in the dust.
Writer’s Note: Speed similes lose their power if every fast character is compared to lightning or wind. Vary the source image. A rumour, a shadow, a river. Each one tells a different story about how someone is fast.
For the Grit of Effort and the Ache of Exhaustion
5. Like a clock winding itself tighter and tighter
Meaning and why it works: This simile captures the mounting tension of sustained effort. A clock’s mainspring tightens until it can tighten no more, and the runner’s body experiences the same escalating pressure. The image is mechanical but deeply physical. It suggests that the runner is not just tired but coiled, every fibre loaded with strain.
Best for: Sports writing, fiction, and any scene describing the middle miles of a race.
Swap-in: Like a rope fraying strand by strand.
See it in action:
Formal: With each stride the pressure mounted, like a clock winding itself tighter and tighter, until the whole body seemed to hum with the threat of release.
Casual: Ten laps in and my legs were like a clock winding itself tighter and tighter. Something had to give.
6. As heavy as a wet coat that will not come off
- Meaning and why it works: Exhaustion similes often reach for images of weight, but this one adds texture. A wet coat is not just heavy.
- It clings.
- It chafes.
- It reminds the runner of its presence with every movement.
- The simile makes fatigue feel tactile and inescapable, not just a vague heaviness but an unwelcome companion.
Best for: Personal essays, dialogue in fiction, and captions that capture the reality of a hard run.
Swap-in: As heavy as regret you cannot put down.
See it in action:
Creative: The last mile did not hurt so much as weigh. As heavy as a wet coat that will not come off, fatigue settled across her shoulders and stayed there.
Casual: By kilometre eight, my legs were as heavy as a wet coat that will not come off. I stopped checking my watch. There was no point.
7. Like a lungful of broken glass
Meaning and why it works: A visceral simile for the burn of hard breathing in cold air. The image is sharp, painful, and specific. It does not say “it hurt to breathe.” It shows the reader exactly what that pain feels like. The glass is broken, not whole. This suggests a raggedness, a tearing quality that mirrors the runner’s desperate intake of air.
Best for: Poetry, intense fiction, and any writing that needs to convey physical suffering without melodrama.
Swap-in: Like swallowing winter.
See it in action:
Creative: She pushed into the final ascent, each breath like a lungful of broken glass, each exhale a small surrender.
Formal: The cold air entered his chest like a lungful of broken glass, yet he did not slow, driven by something the finish line could not explain.
8. As stubborn as a bone that refuses to break
Meaning and why it works: This simile celebrates the runner’s refusal to quit. Bones are strong, but they are also brittle. The stubbornness here is not invincible. It is the stubbornness of something that has been tested and has held. The image works especially well for describing a runner who is visibly hurting but still moving.
Best for: Speeches, sports features, and fiction that wants to show resilience without making it look easy.
Swap-in: As stubborn as a scar that will not fade.
See it in action:
Formal: She ran on, as stubborn as a bone that refuses to break, her stride shortened but her direction unchanged.
Casual: Everyone expected him to drop out at mile twenty. He did not. As stubborn as a bone that refuses to break, he just kept going.
Writer’s Note: Exhaustion similes work best when they come after the reader already cares about the runner. Drop one too early and it reads as mere description. Place it at the moment of crisis and it lands like a punch.
When Running Feels Like Freedom
9. Like a sentence finally allowed to end
Meaning and why it works: This simile connects running to relief, completion, and release. A sentence that has been held back, punctuated by commas and clauses, finally reaches its full stop. The runner experiences the same kind of liberation. The image is literary and self-aware, which makes it perfect for writing about writing, or for any moment when running represents escape from constraint.
Best for: Creative nonfiction, essays about writing or healing, and poetry with a reflective tone.
Swap-in: Like a held breath finally released.
See it in action:
Creative: The trail opened onto the ridge and something in her chest loosened. Like a sentence finally allowed to end, the run stopped being about distance and started being about arrival.
Formal: He ran as though every step were a word returning to its rightful place, like a sentence finally allowed to end after years of interruption.
10. As free as a dog off its leash on the first warm day of spring
Meaning and why it works: Joyful and unashamedly sensory. The image brings in smell (warm earth), sound (the jingle of a collar), and sight (the blur of a running animal). It captures the pure, uncomplicated pleasure of movement without purpose. This simile is particularly effective for reminding adult readers that running can still feel like play.
Best for: Blog posts, personal essays, and any writing that wants to celebrate running without treating it as a metaphor for suffering.
Swap-in: As free as a window thrown open in June.
See it in action:
Casual: First warm Saturday of the year and I was out the door before coffee. As free as a dog off its leash on the first warm day of spring.
Creative: She ran without a watch, without a route, without a reason. As free as a dog off its leash on the first warm day of spring, she let the path decide.
11. Like the first note of a song you forgot you loved
Meaning and why it works: This simile captures the surprise of joy returning. Running can feel like that. You start out heavy, distracted, or reluctant, and then something clicks, and the motion becomes its own reward. The image of a forgotten song is intimate and nostalgic. It suggests that the pleasure was always there, waiting to be remembered.
Best for: Poetry, reflective essays, and captions that want to evoke warmth without sentimentality.
Swap-in: Like sunlight finding a dusty window.
See it in action:
Creative: Two kilometres in, the heaviness lifted. Like the first note of a song you forgot you loved, the rhythm returned and carried her the rest of the way.
Formal: The run began as obligation and ended as something else entirely, like the first note of a song you forgot you loved, arriving unexpectedly and refusing to leave.
12. As light as a secret you have decided to keep
Meaning and why it works: A freedom simile that leans on stillness rather than motion. A secret you choose to keep is not a burden. It is a small, private pleasure. This simile describes the quiet satisfaction of running alone, unnoticed, with no one to perform for. The lightness is emotional, not physical.
Best for: Introspective fiction, poetry, and personal writing about solitude.
Swap-in: As light as a promise you made only to yourself.
See it in action:
Creative: No headphones, no pace goal, no one watching. She ran as light as a secret you have decided to keep, the morning entirely her own.
Formal: He moved through the empty streets as light as a secret you have decided to keep, his footsteps the only sound in a world not yet awake.
Similes for the Quiet Moments Before and After
13. Like a held breath before a dive
Meaning and why it works: This simile captures the suspended tension at the starting line. A diver at the edge of the board is not yet moving, but every muscle is engaged. The comparison works for any pre-run moment: the lacing of shoes, the final stretch, the silence before the gun. It is a simile about potential energy.
Best for: Fiction, sports writing, and poetry that focuses on anticipation rather than action.
Swap-in: Like a drawn bowstring.
See it in action:
Formal: She stood at the line like a held breath before a dive, every nerve tuned to the silence that would soon break.
Creative: The whole field went still. Like a held breath before a dive, nobody moved, nobody spoke, and then the world cracked open.
14. As quiet as a library after closing
Meaning and why it works: This simile is for the post-run stillness. A library after closing is not empty. It is full of presence, shelved and waiting. The runner’s body after a hard effort feels the same way: heavy with spent energy, yet somehow attentive. The image brings in the faint smell of paper and dust, the hush of a space that has just been left.
Best for: Reflective essays, poetry, and fiction that wants to linger in the aftermath of action.
Swap-in: As quiet as a room where someone has just stopped crying.
See it in action:
Creative: She sat on the curb and let her breathing slow. The street was as quiet as a library after closing, and she was the last book on the shelf.
Formal: The stadium emptied, and the track lay as quiet as a library after closing, holding the memory of every stride.
15. Like a door closing softly behind you
Meaning and why it works: Endings matter. This simile describes the feeling of finishing a run and stepping back into ordinary life. A door closing softly is gentle, final, and slightly melancholy. It does not slam. It simply marks the boundary between one room and the next. The image is perfect for capturing the transition from effort to rest.
Best for: Personal essays, memoir, and fiction with a contemplative tone.
Swap-in: Like a page turning in a book you are not ready to finish.
See it in action:
Creative: She crossed the finish line and walked on, the run ending like a door closing softly behind her.
Formal: The race concluded like a door closing softly behind you, leaving only the echo of effort and the quiet certainty of having moved.
Writer’s Note: The best running similes often avoid the run itself. They describe what comes before or after. The silence, the relief, the return. Use those moments to make the running feel like part of a larger emotional story.
Similes for the Runner You See in Others
16. Like a conductor who has stopped needing the score
Meaning and why it works: This simile describes a runner whose motion has become intuitive and elegant. The image of a conductor without sheet music suggests mastery, ease, and a kind of musical intelligence. It works for runners who make the difficult look effortless. The sensory detail is auditory: you can almost hear the rhythm of their stride.
Best for: Profiles, sports features, and fiction that needs to convey grace without using the word “graceful.”
Swap-in: Like a dancer who has forgotten the audience.
See it in action:
Formal: He ran like a conductor who has stopped needing the score, each stride a downbeat, each breath a rest.
Creative: Watch her on the track. She does not calculate. She does not force. Like a conductor who has stopped needing the score, she simply knows where the next note is.
17. As steady as a lighthouse in fog
Meaning and why it works: This simile is about reliability, not speed. A lighthouse in fog does not move. It simply persists, a fixed point in a blurred world. For a runner who maintains pace through weather, pain, or distraction, this image is both humble and heroic. The fog adds an atmospheric, slightly lonely quality.
Best for: Speeches, sports journalism, and fiction about endurance.
Swap-in: As steady as a heartbeat you have stopped noticing.
See it in action:
Formal: Through rain and darkness he held his pace, as steady as a lighthouse in fog, a fixed point in a world that had lost its edges.
Casual: Everyone else faded in the last hour. She just kept ticking along, as steady as a lighthouse in fog.
18. Like a rumour of something faster than weather
Meaning and why it works: This is a playful, almost mythic simile. It suggests a runner whose speed is discussed before it is seen. The phrase “faster than weather” is impossible, which is exactly the point. The simile leans into exaggeration without tipping into cliché, and the word “rumour” keeps it grounded in human conversation.
Best for: Creative fiction, poetry, and blog posts with a light, witty tone.
Swap-in: Like the first line of a legend.
See it in action:
Creative: By the time the race started, the crowd already knew her name. Like a rumour of something faster than weather, she arrived before she arrived.
Formal: He ran with a reputation that preceded him, like a rumour of something faster than weather, and the field adjusted accordingly.
19. As graceful as a stone skipped across still water
Meaning and why it works: This simile brings together touch (the smooth stone), sound (the faint plink), and sight (the spreading rings). It describes a runner whose motion is not just fast but beautiful. The stone does not struggle. It touches lightly and moves on. The image is particularly effective for describing a runner whose form looks effortless.
Best for: Poetry, sports writing, and fiction that wants to aestheticize running without losing its physicality.
Swap-in: As graceful as a bird adjusting to wind.
See it in action:
Creative: She came around the final bend and the crowd went quiet. As graceful as a stone skipped across still water, she barely seemed to touch the ground.
Formal: His stride was as graceful as a stone skipped across still water, each footfall a brief and perfect contact before the next.
20. Like a metronome made of muscle and will
Meaning and why it works: A precision simile for a runner whose pacing is almost inhumanly consistent. The metronome image suggests both mechanical regularity and artistic discipline. Adding “muscle and will” reminds the reader that this consistency is not easy. It is earned, and it is maintained by choice.
Best for: Sports journalism, coaching articles, and fiction about competitive running.
Swap-in: Like a clock that has decided to run.
See it in action:
Formal: Lap after lap, he held the same pace, like a metronome made of muscle and will, his splits almost eerily identical.
Casual: I do not know how she does it. Every lap exactly the same. Like a metronome made of muscle and will, that one.
Writer’s Note: When you are writing about another runner, resist the urge to make them superhuman. The best similes for running acknowledge effort. A metronome, a lighthouse, a stone. These are things that work, not things that shine effortlessly.
Similes for the Start, the Sprint, and the Last Gasp
21. Like a coin spinning to rest
Meaning and why it works: This simile is for the final moments of a race, when momentum is running out and the body is negotiating with gravity. A spinning coin wobbles, slows, and finally settles. The image is perfect for a runner whose pace is decaying but who refuses to stop. The sensory detail is visual and tactile: you can almost feel the wobble in your own legs.
Best for: Fiction, personal essays, and any writing about the last mile of a long run.
Swap-in: Like a top losing its argument with the floor.
See it in action:
Creative: The last hundred metres were not a sprint. They were a negotiation. Like a coin spinning to rest, her stride wobbled and slowed and somehow kept going.
Formal: The final stretch unfolded like a coin spinning to rest, momentum giving way to gravity, will giving way to the simple fact of the finish line.
22. As loud as a thought you cannot stop thinking
Meaning and why it works: This simile is about internal noise. Running can be mentally loud. Doubts, memories, and unfinished conversations chase you stride for stride. Comparing that mental clamour to a thought you cannot stop thinking is intimate and slightly unsettling. The “loudness” is not external. It is the sound of your own mind refusing to be quiet.
Best for: Poetry, introspective fiction, and personal essays about mental health and running.
Swap-in: As loud as a song stuck in your bones.
See it in action:
Creative: The road was empty but her head was not. As loud as a thought you cannot stop thinking, the same worry ran beside her for six miles.
Formal: He ran to escape the noise, but it followed, as loud as a thought you cannot stop thinking, keeping pace with every stride.
23. Like a prayer you did not know you were saying
Meaning and why it works: This simile is for the moments when running becomes something closer to meditation or supplication. The runner is not thinking about form or pace. They are simply repeating, moving, breathing. The image of an unconscious prayer is intimate and spiritual without being religious. It suggests that the body sometimes knows what the mind has not yet articulated.
Best for: Memoir, reflective essays, and poetry with a contemplative or spiritual tone.
Swap-in: Like a word you repeat until it loses its meaning and finds a new one.
See it in action:
Creative: Somewhere around mile five, the counting stopped and something else took over. Like a prayer you did not know you were saying, the run became its own answer.
Formal: The rhythm of his feet became a kind of devotion, like a prayer you did not know you were saying, repeated until it meant everything.
24. As bright as the first breath after a long cry
Meaning and why it works: This simile captures the relief and clarity that can follow a hard effort. The first breath after crying is shaky, raw, and strangely clean. It marks the end of something and the beginning of something else. For a runner crossing a finish line or completing a difficult run, this image is both tender and triumphant.
Best for: Personal essays, fiction endings, and poetry that wants to land on a note of release.
Swap-in: As bright as a room after the storm has passed.
See it in action:
Creative: She crossed the line and bent over, hands on knees, and the air that came into her lungs was as bright as the first breath after a long cry.
Formal: The finish arrived not with a roar but with a quiet inhale, as bright as the first breath after a long cry, and he knew the run was over.
Quick-Reference Table
| Simile | Best Tone | Best Used In |
| Like a struck match in a dark room | Sudden, electric | Fiction openings, poetry |
| As fast as a rumour through a small town | Witty, conversational | Blogs, casual essays, dialogue |
| Like a river deciding to change course | Inevitable, powerful | Motivational speeches, reflective essays |
| As quick as a shadow slipping under a door | Mysterious, elusive | Mystery fiction, atmospheric prose |
| Like a clock winding itself tighter and tighter | Tense, mechanical | Sports writing, mid-race scenes |
| As heavy as a wet coat that will not come off | Tactile, weary | Personal essays, realistic captions |
| Like a lungful of broken glass | Visceral, sharp | Intense fiction, poetry |
| Like a sentence finally allowed to end | Literary, relieved | Creative nonfiction, healing narratives |
| As free as a dog off its leash on the first warm day of spring | Joyful, uncomplicated | Blogs, celebratory personal essays |
| Like a conductor who has stopped needing the score | Elegant, masterful | Profiles, sports features |
Practical Writing Guide
Why Similes Fall Flat (and How to Fix Them)
Clichés
Weak: “He ran like the wind.”
Fixed: “He ran like a rumour of something faster than weather.” The original has been used so often it has become invisible. The fix keeps the idea of speed but gives it a specific, strange image that makes the reader pause.
Mixed Imagery
Weak: “She ran like a wildfire through a library of forgotten dreams.”
Fixed: “She ran like a wildfire through dry grass.” The first version mixes fire, books, and abstraction. The reader cannot picture anything. The fix keeps one coherent image: fire moving through something it can actually consume.
Overexplaining
Weak: “He ran like a cheetah, which is the fastest land animal, and this means he was very fast indeed.”
Fixed: “He ran like a cheetah.” Trust the simile. If the image is clear, the explanation kills it.
Mismatched Tone
Weak: In a tender memoir: “She ran like a bat out of hell.”
Fixed: “She ran like a secret she had decided to keep.” The first version is too loud for the emotional register of the piece. The second matches the quiet, reflective tone.
Simile vs Metaphor in Plain Language
A simile says one thing is like another. A metaphor says one thing is another.
Simile: Her stride was like a metronome made of muscle and will.
Metaphor: Her stride was a metronome of muscle and will.
The simile keeps a small distance between the runner and the image. The metaphor collapses that distance, making the comparison more intimate and more forceful. Use similes when you want the reader to see the comparison. Use metaphors when you want the comparison to become the thing itself.
A Simple 4-Step Method for Original Similes
Step 1: Pick the feeling. What do you want the reader to feel? Exhaustion? Joy? Terror? Awe?
Step 2: Find a concrete image. What object, animal, weather system, or human behaviour carries that feeling? Avoid abstractions. Look for something you can touch, hear, or smell.
Step 3: Test the fit. Say the simile aloud. Does it surprise you? Does it make sense without explanation? If it feels predictable, go back to step two.
Step 4: Trim the excess. Remove any words that soften or explain the comparison. “Like a river deciding to change course” is stronger than “like a river that has decided to slowly change its course.”
Worked example:
Feeling: Exhaustion that still moves.
Image: A clock winding tighter and tighter.
Test: Does it fit? Yes. It captures strain and inevitability.
Trim: “Like a clock winding itself tighter and tighter.” No explanation needed.
Quick Tips for Using Similes in Dialogue, Poetry, Blogging, and Essays
In dialogue: Characters rarely speak in polished similes. Keep them rough, specific, and slightly off. “He ran like the devil was checking his watch” sounds like something a person would actually say. “He ran with the swiftness of a gazelle” does not.
In poetry: Let the simile breathe. One strong comparison per stanza is usually enough. Too many and the poem becomes a list of images rather than a single emotional experience.
In blogging: Use similes for running to create instant recognition. Readers scrolling on their phones will not parse a complex metaphor. They will feel “as heavy as a wet coat that will not come off” in their own legs.
In essays: Use similes to bridge the abstract and the concrete. When you are writing about discipline, fear, or freedom, a simile grounds the idea in something the reader can see and touch.
FAQs
What is the difference between a simile and a metaphor?
A simile compares two things using “like” or “as,” while a metaphor states that one thing is another. “He ran like a metronome” is a simile. “He was a metronome” is a metaphor. Similes keep a small distance between the runner and the image, which often makes them feel more precise and observational.
How do you write a simile for running?
Start with the feeling you want to convey, then find a concrete image that carries that feeling. Test the comparison aloud to see if it surprises you. Finally, trim any words that explain or soften the simile. A strong simile for running should feel inevitable once you have read it, as though no other comparison would have worked.
What are some similes for running fast?
Similes for running fast include “as fast as a rumour through a small town,” “like a struck match in a dark room,” and “as quick as a shadow slipping under a door.” Each one describes speed differently. The rumour is social. The match is sudden. The shadow is silent. Choose the image that matches the kind of speed you are trying to describe.
How many similes should I use in a piece of writing?
There is no fixed number, but a good rule is to use similes for running sparingly and deliberately. One well-placed simile in a paragraph is usually more effective than three. In a longer essay, you might use two or three across the entire piece. In poetry, one per stanza is often enough.
How can I avoid clichés when writing similes for running?
Avoid comparisons that have been used so often they have lost their image. “Like the wind,” “like lightning,” and “like a cheetah” are all clichés. To avoid them, look for images from your own observation. What does exhaustion actually feel like in your body? What does speed look like in a specific place? The more specific the image, the less likely it is to be a cliché.
Can similes for running be used in school writing?
Yes, similes for running are excellent for school writing because they demonstrate figurative language skills and make descriptions more vivid. Teachers often encourage students to use similes in narrative writing, poetry, and descriptive essays. Just make sure the simile is clear, original, and appropriate for the tone of the assignment.
What are some similes for running in poetry?
Poetry often uses similes for running to create atmosphere rather than just describe action. Examples include “like a prayer you did not know you were saying” and “as bright as the first breath after a long cry.” These similes focus on the emotional and sensory experience of running, which makes them well-suited to poetry’s compressed and imagistic style.
How do similes for running help in storytelling?
In storytelling, similes for running help the reader feel the physical and emotional stakes of a scene. Instead of simply saying a character ran, a simile can convey exhaustion, fear, joy, or determination. It turns motion into meaning. The right simile at the right moment can make a reader’s own muscles ache or their own heart lift.
What is a simile for running that is not about speed?
Not all similes for running need to be about speed. “As heavy as a wet coat that will not come off” is about exhaustion. “Like a sentence finally allowed to end” is about relief. “As quiet as a library after closing” is about stillness. These similes describe the experience of running rather than the velocity of it, which often makes them more emotionally resonant.
Conclusion
Running is never just running. It is a struck match, a held breath, a clock winding tight, a sentence finally allowed to end. The right simile for running does not just describe motion. It lets the reader feel the ground under their own feet. So here is a small challenge: the next time you write about movement, pause before you reach for the wind or the lightning. Find an image that has never been used before. Write one fresh simile today, and watch how quickly your sentences learn to run.











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